THE IMPORTANCE OF SUBTLETIES

 by Yang Xuangxing

As you acquire more experience in your practice of martial arts, you have likely taken notice of numerous “subtleties” that can dramatically affect your technique and/or your ability to effectively apply it. At least I hope you have.

For instance, in iaido the sword is to be gripped just so. In fact, you mustn't use an actual “grip” (like holding a stick or baseball bat) when drawing the sword; the hand isn't closed as the sword is drawn! This has to be learned from a qualified instructor and it took me more than three years to get it (and I'm still working on it). In “open” tournament Weapons Division, it's not unusual to see a competitor swagger into the ring attired in a hakama (that often looks like it was made from the curtains of a New Orleans bordello) with his sword thrust improperly through his obi (wide sash). In fact, the sword is often placed on the left side, which is incorrect.

When said wannabe swordsman draws the weapon, he grasps the handle and pulls it from the scabbard. This is wholly incorrect; the scabbard is actually “removed” from the sword with the left hand. Learning to do this requires a great deal of practice over an extended period of time.

And yes, there are good reasons for gripping the sword in this way initially. It's not a Louiseville Slugger (an old brand-name baseball bat) and gripping it in that fashion makes the wrist all but totally inflexible, which slows down both the draw and the initial cut. And that means that you'd likely lose your hand at the very least...

Two-handed cuts with the Japanese katana are made mainly with the left hand. Cutting with the right is a serious error that causes momentary loss of control of the weapon. And you can imagine what that means. Learning to execute the cuts with the left hand requires years of practice.

Akira Hino, a Japanese martial arts genius who I met in Japan in 2016, emphasizes the importance of numerous subtleties...like the proper use of the elbow when punching or striking. It's very subtle and once fully understood (which takes quite a while), much practice is required. He emphasizes that one of the great secrets to emitting tremendous power with what appear to be a “casual” punch or strike is proper use of the elbow. And at the age of 75, he happily demonstrates it.

Tatsuya Naka, one of the top instructors of the Japan Karate Association, who I met in 2016 in Japan, also speaks of small subtlties that enable him to suddenly drive out and strike an opponent with a lunging thrust. He never misses and top-ranked martial artists who have practiced with him say that they just can't see it coming. One of the vital keys is the proper use of the front knee and hip. Like Hino sensei's advice, it is difficult to understand and once understood, it requires extensive practice.

Hino sensei also speaks of the correct use of weight shifting for power as well as stability as well as the use of the shoulders (especially in the use of weapons). Trying to observe these subtleties by watching such men perform is useless. The small nuances of which they speak are so small that they're truly invisible. But they make all the difference in the world.