FORMS AND FIGHTING, FIGHTING AND FORMS

 by Phillip Starr

*Excerpted from “Martial Maneuvers” by the author.

Beginning piano students spend countless hours practicing simple finger exercises and eventually move on to study the classics – compositions that were created by masters of ages past. The martial arts masters who contributed to the creation of the traditional forms, the classics of Eastern martial disciplines – are our Bachs, Beethovens, and Mozarts.

The forms of your chosen craft are representative of your art and are intended to teach you how it is to be applied in combat. Therefore, the manner in which you fight should look very much like, and have have the flavor of, your forms. Unfortunately, this isn't true for most contemporary martial arts practitioners. Let me give you an example of what I mean...

Many years ago, I was invited to help officiate at a large Chinese martial arts tournament. I witnessed some truly remarkable forms that day. Performed with great celerity and precision, they were absolutely beautiful and I looked forward to watching the freestyle sparring competition because each martial discipline has its own flavor, its own way of applying various techniques as shown and practiced in its forms. However, my enthusiasm wilted when the sparring competitors, suited up with all the appropriate headgear and hand and foot pads, blasted into each other with all the finesse and technique of a second-grade schoolyard slugfest. It resembled an abysmal, ineffective mishmash of sloppy Western boxing and slipshod Muay Thai. No one demonstrated any particular style at all; they all looked the same, regardless of what form of kung-fu they practiced!

Clearly, these people did not make the connection between form and fighting.

Much of the reason for the lack of real martial skill has to do with the WAY in which many of today's practitioners train. Forms are often practiced as a matter of tradition with little attention given to the information they contain and the fighting skills that they are intended to develop. Simply running through a form “by the numbers” isn't enough; the various fighting techniques and tactics must be extracted and practiced repeatedly until they can be performed correctly without conscious effort. Unless this is done, we cannot hope to achieve “form.”